Question:
Wedding Videography Business: Canon GL2?
1970-01-01 00:00:00 UTC
Wedding Videography Business: Canon GL2?
Three answers:
?
2016-05-30 05:56:49 UTC
GL2, Best for what your going to do. Nothing that does not use MiniDV tape. Your clients are going to want the best video quality going. And being a top answerer here, I have seen more questions than I care to count, about other storage media and the problems they have. You do not need a lost content event happening after you tape some couples wedding. That does not happen with MiniDV tape. I am a former wedding videographer, got out do to health reasons
2008-04-22 18:31:42 UTC
I agree that the Canon GL2 camcorder is a great value for a good camera; it is the cheapest pro camcorder out there. It is easy to use, and produces great footage (not high definition but still good), therefore, an excellent choice for the beginning professional trying to get to know the manual controls. However, with the GL2, you may find yourself limited as far as audio capabilities. For excellent, crisp audio quality, you will need a microphone (most likely a shotgun, or lavalier, or possibly a handheld one too) with an XLR jack. The XLR microphones are used by most professionals. However, the GL2 does NOT have the XLR input for microphones. Instead it has the consumer alternative, a 1/8" mini-stereo input, that takes lower end microphones. This may or may not be a problem to you, but some videographers consider audio to be more important than the picture quality. Sure, there are ways of upgrading a mini-stereo jack to an XLR, but it will cost you about $160 for the extra hardware, but luckily, Canon makes an XLR adapter that is pretty easy to carry around. I too, have a professional camcorder without XLR mic inputs, the Sony VX2100, and I have been fine so far. Even without XLR inputs, there are ways to get nearly professional sound. Here are some of the best mini-stereo microphones out there (in my opinion):

1) RODE VideoMic is by far my favorite mini-stereo mic. It is $150 and produces excellent sound quality and is pretty durable. I highly recomment it!

2) Sennheiser MKE300 is a bit cheaper at about $130, but it does not have quite as good sound, and it is much more flimsy in my opinion.

3) Azden SGM-X is around $110 and produces fair sound quality, not impressive though





Apart from audio, here are some features the GL2 DOESN'T have that you may want to consider:

1) HD: of course, HD would give you better resolution, you won't die without it, but some consider it important

2) 24p: a feature that makes digital footage look like film; it appeals to independant filmmakers but in your case, you probably won't need it

3) Interchangeable Lenses: a feature you may want to consider if you do not want to be limited with depth of field and of course zoom distance. You have to pay a lot for a camcorder with interchangeable lenses though



Here are some other pro camcorders to consider:

- SONY DSR-PD170 (or the older PD150) is a popular model among newscasters. It has XLR inputs, and excellent low light capabilities at a minimum of 1 lux, however, it is not HD, it doesn't have 24p or interchangeable lenses: $2500

- JVC GY-HD110U: a bit too high for your budget ($4,000) but it is rivals the Canon XL-H1 as the best camera under $10,000 and has everything you could ever ask for.

-Sony HDR-FX1/ HDR-FX7: HD pro camcorders, but I believe that neither have XLR jacks either: $3,000; $2,500

-Canon XH-A1: at $3,300, it is a bit pricy, but has most pro features, except interchangeable lenses

-Also look at Canon XL2: its not HD, but I don't think you would really need HD for weddings: $3,000



In conclusion, if you want to stay close to your budget, your best options would be the GL2, the Sony PD170, Sony VX2100 (no XLRs), Sony FX7 (no XLRs) or Panasonic AG-DVX100B. If you decide to go with the GL2, you will not be disappointed!! Sorry for the long response. Hope that helps.



[EDIT]



Oh, and regarding the idea proposed by the answerer below, that is another good option, but it still has its pros and cons. I totally agree that the Canon HV20 is an excellent camera for a good price, and is something worth considering. As an HD camera, it will have resolution far greater than the GL2, a standard definition camera. However, there are still some advantages in a standard definition pro camera such as the GL2. One of these is the manual controls, allowing you to manipulate your picture to what you see is best fit. This is important in correcting lighting and focus, as the automatic function is not quite as accurate. Also the pro cameras have 3CCDs as opposed to the CMOS sensor in the HV20. The differences in the CMOS and CCD chip are not very noticeable, with the CCD having a very slight advantage (in my opinion) in certain lighting situations. Also having 3 CCDs as opposed 1 CMOS also has its advantages. With 3 CCDs, the color reproduction is much more accurate. Of course, price is always a huge factor, and in that respect, the HV20 wins.
evilgenius4930
2008-04-25 08:51:05 UTC
The GL2 is a good camera, but if I were you, I'd get a pair of HV20s or HV30s. I had a GL2 for about a year and a half and I recently sold it to buy a Canon HV20, technically a consumer camera. Why? The GL2 was getting old; it is an SD camera, and while most of us don't have Blu-Ray burners, it would be a mistake, in my opinion, to go spend thousands of dollars on SD equipment. HD downrezzed to SD looks better resolution-wise than footage from the best SD camera. Despite the GL2's great quality, grain was always noticeable in even medium low-light situations. HD also gives you the flexibility to remaster certain projects in HD in the future.



Also, the GL2 is expensive, even if you get it used off of eBay (by the way, when I got it December '06, the average price was $1600, and now, the resale value is around $1100-$1200). Like Nikolai said, the GL2 has a 3.5mm input jack. This is okay if you're planning on using mics such as the Rode Videomic, but if you plan on using XLR mics, which have balanced outputs so you can use cables five or ten times longer than the 10'-20' limit of 3.5mm unbalanced signals, or the option of being able to accept live feeds from a mixer at a concert, you'll need an XLR adapter. Beachtek and Juicedlink make great adapters, but they'll add about $200 to the cost of the GL2. Add any mic to that, and it'll be about $150-$300.



Now, that doesn't sound like a lot of money since your budget is 1-2k, but if you're going to be shooting events, you'll definitely want more than one camera. Not only does it make your finished product more interesting, but it also gives you more flexibility if you run out of tape or if you accidentally bump into the tripod during taping because you can just cut to the other camera. And the chances are pretty low for the other person shooting to mess up at the same exact time. Even if you got just two GL2s and nothing else, it would still be about $200-$400 over your budget.



I got my HV20 off of eBay for $660 plus shipping. I also have a Beachtek DXA-2S adapter and NTG-2 XLR shotgun mic. If you are planning to mount the mic on the camera, a Rode Videomic will probably be fine, but if you are planning to use a boompole, then a mic such as the NTG-2 will suit you better. Shameless plug: I'm selling cheap painter's pole to boom pole adapters, by the way ;-)



http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ssPageName=STRK:MESEX:IT&item=220227197941&_trksid=p3984.cSELL.m315.lVI



Probably the biggest reason people get the HV20 is because of its 24p. Basically, if you've ever noticed how the news looks more "real" than a movie is because of film's 24fps speed. While it may seem to not matter much to you, shooting wedding videos, events, corporate videos, and even parties in 24p will make it seem much more "professional." Most people won't know what the heck you did, but they'll know it looks good. And of course, the HD as well. Remember you can always edit in HD and print to tape in HD. This won't do most people any good, but if there's someone who's dying to have it in HD and they have an HDV camcorder, they can just take the tape and play it.



As for the HV30, it's basically the same exact camera as the HV20, but it's black, features 30p and 24p, has an improved LCD screen (read: larger vertical viewing angle), and a new zoom toggle (?). Oh and the hot shoe cover doesn't come off unless you cut it, which might be a problem if you're mounting the Rode Videomic to the camera. And it costs around $880 (at the cheapest).



Oh and consider getting a WD-H43 for your HV20/HV30, if you do decide to get one of these camera.



So I think that's everything. Hopefully this helped and if you have any more questions, feel free to contact me!


This content was originally posted on Y! Answers, a Q&A website that shut down in 2021.
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